TRAVEL
I photograph places the way they're encountered, not seen.
A street that isn't mine yet, a language I'm still catching up to, the particular disorientation of being somewhere new, right before it starts to feel familiar.
From cobblestone corners to cities I'm only passing through, I focus on unfamiliarity over landmarks, creating visual libraries that communicate movement, displacement, and what it feels like to be a stranger somewhere beautiful.
MOROCCO
Three cities, three kinds of light. Casablanca in pale stone and sea air. Chefchaouen in every shade of blue. Marrakech in gold, dust and handwoven wool. Morocco is a place you feel before you understand it.
NO TWO ALIKE
Dublin is a city of brick and repetition. The doors are where it breaks, with a new color every few steps.
DOORS OF DUBLIN
Green, navy, yellow, pale blue. The houses are built the same, so the door is how each one sets itself apart.
THE SMALL DETAILS
Brass numbers, letterboxes, a knocker worn smooth. Look closer and each door tells you a little about who lives behind it.
Amsterdam
Amsterdam is a city you experience over time. Between the canals, bikes, and narrow streets, the details start to stand out the longer you’re in it.
ALONG THE CANALS
The canal houses lean a little, and no two are quite the same. On a gray day, the brick goes darker, the windows glow, and the whole street feels lived in.
SWEDEN
A day trip across the bridge from Copenhagen led me to Gamla Vaster, Malmo's oldest neighborhood. where cobblestone streets win past cottages dating back to the 1600s. I met the owner of one of the street homes, who told me the street belonged to craftsman, fisherman, dockworkers, and cobblers. No itinerary, just my camera and a few hours to wander — capturing the crooked rooflines, painted doors, and a quiet corner of a city that felt like stepping into another century,
ICELAND
Reykjavik. Every color someone dared to paint. Mismatched roofs, weathered siding, a house that looks like no house beside it. I photograph the town the way I'd photograph a person's face: for what makes it unrepeatable.
